AI TOOL · Jewelry Studio
Necklace photography without the retouching
A chain is a hundred small highlights, and every one of them catches the room. Whether you shoot flat lays or a pendant on a bust, the background is the part that should take the least time.
Backgrounds you can pick
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Fine chains are where background removal usually fails, leaving chewed edges. Editing from the full frame keeps the chain continuous.
Flat lay or styled
Silk and beige read as editorial, white reads as catalogue. Generate both from one photo and use each where it belongs.
Aspect ratios for detail crops
4:5 crops tight on a pendant for social, 1:1 keeps the whole length for a marketplace thumbnail, 3:2 works for a banner.
Shooting chains without tangles
Lay the necklace on a plain surface and straighten the chain from the clasp outwards. Shoot straight down to avoid foreshortening, and keep the pendant flat. If the chain curls, tape the ends outside the frame rather than editing them out later.
Getting the metal tone right
Yellow gold, rose gold and silver are easy to shift with the wrong light. Shoot in indirect daylight with a neutral surface — not on a coloured tablecloth — so the model sees the metal as it actually is.
Questions
Can I photograph several necklaces at once?
You can, but the instruction should name the one that matters. Single-piece photos give the most consistent listings.
Does it work for a pendant on a model?
Yes. Describe the background change only, and lower the edit strength if skin or fabric starts to shift.
What resolution do I get back?
The output keeps the source aspect and is sized between 512 and 1536 pixels per side, which covers marketplace and social requirements.
Try it with one of your pieces
Upload a photo, pick a background, download the result. The first image is free — no card required.
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